In Weâre No. 1, Steven Hyden examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the years. In this installment, he covers Santanaâs Supernatural, which went to No. 1 on October 30, 1999, where it stayed for three weeks, on January 22, 2000, where it stayed for three weeks, and February 26, 2000, where it stayed for six weeks.
Itâs a given that transience is a major component of popularity in pop music. This is not only perfectly okay, but itâs pretty much how itâs supposed to work. Part of the fun of a hit song is that itâs designed to be enjoyed right now, instantly, so that it might come to define the moment. Whether âGangnam Styleâ is a great song is beside the point; years from now, when we look back on 2012, that will be the song that people use in movies and commercials to signify this specific point in time. Nothing changes faster than pop music and hairstyles, which is why they both work equally well as shorthand for eras. âGangnam Styleâ exists in a realm outside of good and bad; itâs historical.
Advertisement
Albums are supposed to be different, in that they generally are a little most lasting. Then thereâs Santanaâs Supernatural, perhaps the most popular LP of the â90s that absolutely nobody cares about today. When Supernatural was released in the summer of 1999, the record industry was in midst of its âraging bacchanal before the fall of Romeâ period. It was impossible to fall out of bed and not sell at least 500,000 records. Backstreet Boys, Britney Spears, Limp Bizkit, Dixie Chicks, and Creed set the pace for huge multi-platinum sales. Ricky Martin had a No. 1 album in 1999. So did Silkk The Shocker. The specter of Napster was looming, but in the waning days of âpaying for musicâ still being a workable, non-debatable concept, the getting was incredibly good in the record business right up until the bitter end.
The yearâs most surprising success story was undeniably Supernatural. Carlos Santana hadnât been a viable commercial entity since the early â70s. The guitarist hadnât even recorded a new album in seven years, and there didnât appear to be much demand for one. When Santana approached Clive Davis, the legendary record mogul who had signed him to Columbia Records in 1968, about helping him piece together a collection of songs that would appeal to contemporary pop audiences, Supernatural seemed destined to become one of those mediocre prestige projects that wins an obligatory Grammy and is ignored by the rest of the world.
Advertisement
But Davisâa marketing genius whoâs helped to shape the careers of Janis Joplin, Bruce Springsteen, Billy Joel, Aerosmith, Whitney Houston, Alicia Keys, and Kelly Clarkson, among many othersâhad a simple but clever idea to make Supernatural a hit. Half the record would more or less resemble a typical late-period, lightly jazzy, and predictably polyrhythmic Santana album. The other half would relegate Carlos Santana to guest status on his own record, with a bevy of superstars taking the spotlight and essentially forcing radio to pay attention to Supernatural. So when Dave Matthews appeared on âLove Of My Life,â it could be sold as a Dave Matthews song with Santana occasionally laying down his distinctive guitar licks. Same with âDo You Like The Way,â which featured Lauryn Hill and Cee-Lo Green (who at the time was known only as a member of the cultish rap group Goodie Mob), or the songs with Everlast and Eagle-Eye Cherry, since those were once people that other people were familiar with.
Davisâ idea worked even better than he or Santana couldâve reasonably hoped for: Supernatural went platinum a staggering 15 times in the U.S. and sold 30 million records worldwide. This was due almost entirely to two songs that truly made Supernatural a phenomenon: The Wyclef Jean-assisted âMaria Maria,â which held the No. 1 spot on the singles chart for 10 weeks, and one of the most popular pop songs ever, âSmooth,â with Matchbox Twentyâs Rob Thomas.
Advertisement
Supernatural did two things for Santanaâs career, the first of which had an obviously lucrative short-term effect; the other had an equally obvious detrimental long-term effect on how Santana would be subsequently perceived. One, Supernatural made Santana a boatload of money, at a time when he obviously needed it. As he told Rolling Stone in 2000, Santana faced dire financial straits in the early â90s, and relied on the business assistance of his wife Deborah to get his house in working order. (âIâd probably be a hobo if not for her,â he said.) Supernatural not only remade his career, it made him even more successful than he had been in his early-â70s heyday. Even now, it must be considered the greatest comeback in pop-music history.
But Supernatural did something else as well: It cut Santana off from the rest of his career. If you cared about Santana before Supernatural, you were precisely the audience that Supernatural was intended not to reach. In fact, if you cared about Santana before Supernatural, you probably hated Supernatural. It was Santanaâs âKokomo.â (Which makes Rob Thomas his John Stamos.)
Advertisement
Davisâ intention was to turn Santana into a late-â90s pop-rock artist with a record that epitomized every mainstream pop trend of the moment. And Supernatural achieved that smashingly well. But it also tied Santanaâwho made legitimately great records in the late â60s and â70sâto one of least auspicious periods in pop music ever. Supernatural is truly an unusual beast: A comeback record made by a defining artist of the Woodstock generation that functions as the ultimate mixtape of Clinton-era pop-rock awfulness.
And, truly, it doesnât get any more awful than âMaria Mariaâ and âSmooth.â Actually, Iâd listen to âMaria Mariaâ 1,000 times in a row while having my teeth drilled by The Product G&B if it meant never having to hear âSmoothâ ever again. My distaste for âMaria Mariaâ comes from hearing it every 15 minutes in the spring of 2000, when it became one of the biggest songs of the year and then the â00s, eventually appearing at No. 14 on Billboardâs Hot 100 Songs Of The Decade list. But the popularity of âMaria Mariaâ was dwarfed by âSmooth,â a song you can still hear every 15 minutes, mostly on whatever radio station in your town is affixed with the incongruous adjective âcool.â All those millions of copies of Supernatural sold in 1999 and 2000 have long since taken up residence in our nationâs dwindling used-CD stores, but the fun-time, bossanova-cum-heartland rock Muzak of âSmoothâ has a carbon half-life of approximately 20,000 years.
Advertisement
âSmoothâ was pivotal in the selling of Supernatural and the establishment of Rob Thomas as an inescapable pop-radio chucklehead. At the time Matchbox Twenty was known by the far less distinguished moniker Matchbox 20, and had just one record, 1996âs Yourself Or Someone Like You, to its credit. Singles like âPushâ and â3 A.M.â were sizable hits, but nothing on the order of âSmooth,â which Thomas co-wrote (with producer Itaal Shur), stayed at No. 1 for 12 weeks, and later garnered Grammys for Song and Record Of The Year. âSmoothâ took Matchbox Twentyâs nice-guy post-grunge and tweaked it just enough with Latin flavor to make it crossover to multiple radio formats. And, sweet Jesus, did this song crossover. When Billboard compiled its list of the most popular songs from its 50-year history earlier this year, âSmoothâ was ranked as the No. 1 rock song, just ahead of The Beatlesâ âHey Jude.â On the overall songs list, it was No. 2, right behind Chubby Checkerâs âThe Twist,â which is the Citizen Kane of lists like this.
Does this mean that âSmoothâ is a deathless classic that towers over the most overplayed oldies? Or does this placement underline that âSmooth,â like Supernatural, is a product of the steroids era of pop, when inflated sales statistics skewed the actual reach of the music being made at the time? While Supernatural sold far more copies than any other Santana record, itâs probably the last album that anybody will reach for if they decide to investigate his back catalog. Supernatural was made for a 1999 audience, and that audience can keep it.
Advertisement
Nov 24, 2013 - How do I unlock eiter the stg 44 or the mbk 44? I've searched the web. I've bought red orchestra 2 and the rising storm expansion. Feb 9, 2017 - It means there is no STG44/MP44. The gun you are probably talking about is the MKB-42(H). A gun that looks similar but came before the STG. Red orchestra 2 stg 44. We are a fan run community for the Red Orchestra and Rising Storm franchises. A majority of our discussion is based around RO2 and RS1, but.
Coming up: Jimmy Buffettâs License To Chill
Supernatural | ||||
---|---|---|---|---|
Album cover adapted from a painting by Michael Rios
|
||||
Studio album by | ||||
Released | June 15, 1999 | |||
Recorded |
|
|||
Studio | Fantasy Studios, Berkeley, California | |||
Genre | Latin rock | |||
Length | 74:59 | |||
Label | Arista | |||
Producer |
|
|||
Santana chronology | ||||
|
||||
Singles from Supernatural | ||||
|
Supernatural is the eighteenth studio album by Latin rock band Santana, released on June 15, 1999 on Arista Records. After the group found themselves without a label in the mid-1990s, founding member and guitarist Carlos Santana began talks with Arista president Clive Davis, who first signed the group in 1969, which led to a new record deal. The pair collaborated with A&R man Pete Ganbarg on the production of Supernatural as Santana wanted to focus his musical direction towards pop and radio friendly material and proceeded to do so by collaborating with various contemporary guest artists, including Eric Clapton, Rob Thomas, Eagle-Eye Cherry, Lauryn Hill, Dave Matthews, Maná, KC Porter and Cee-Lo Green.
Supernatural became a significant commercial success worldwide. It reached No. 1 in eleven countries, including the US for 12 non-consecutive weeks where it is certified 15Ã Platinum. The first of six singles from the album, 'Smooth' featuring Matchbox Twenty singer Rob Thomas, was a number one success worldwide and topped the Billboard Hot 100 chart for 12 weeks. The next, 'Maria Maria', featuring The Product G&B, was number one in the US for 10 weeks. Supernatural has sold an estimated 30 million copies worldwide.
In 2000, the album was the subject of eight Grammy Awards including Album of the Year, making Santana the first Hispanic to do so, and Best Rock Album, tying the record held by Michael Jackson for the most number of awards in a single night. Davis won Album of the Year. Santana also won three Latin Grammy Awards including Record of the Year.[1]
- 6Track listing
- 8Charts and certifications
Background[edit]
In 1991, Carlos Santana's record deal with Columbia Records came to an end. His two subsequent albums for Polydor/Island labels, Milagro (1992) and Sacred Fire: Live in South America (1993), failed to attract strong sales and chart positions which led the guitarist to end his contract because he was not getting 'traction and acceleration'.[2] Santana then struggled to find a suitable and willing deal and recalled that some labels considered him too old.[3] His fortunes turned in 1995 when he was invited to participate in a documentary about executive and Arista Records founder Clive Davis, who first signed Santana to Columbia in 1969. With encouragement from his wife, Santana approached Davis about the possibility of signing with Arista.[2][4] The couple invited Davis to attend Santana's concert at Radio City Music Hall in July 1997 which featured a new line-up of the group.[4]
A subsequent meeting between Santana and Davis took place, during which the guitarist expressed his desire to produce more concise and radio friendly songs with strong melody lines and lyrics that a wide range of people could relate to. He convinced Davis 'wasn't stuck in the '60s; I was adaptable to these times',[5] and cited Miles Davis and John Coltrane as artists who went on to change musical directions towards pop in their later careers.[4] Davis agreed to assist on the project and signed the band to a record deal in late 1997.[4] He aimed to have the new album surpass sales figures of the band's second, Abraxas (1970), which had sold over 4 million copies in the US at the time.[5] Davis realised that the album had to be 'vintage Santana' with 'contemporary influences that Carlos was very much feeling' and saw the task of contacting potential artists to collaborate with the guitarist which he found particularly exciting.[5] Santana maintained that Supernatural was never meant to be a 'star-studded' album at first, 'but the songs really dictated different singers and different musicians'.[6]
The album's title was set to be Mumbo Jumbo, but it was changed to Supernatural shortly before its release.[4] Davis threw a release party for the album at The Boathouse restaurant in New York City.[7]
Songs[edit]
'The Calling' features guitarist Eric Clapton, who had attended the 1999 Grammy Awards ceremony which featured Santana performing with Lauryn Hill and asked Santana to call him if there was room for him on a future Santana track.[6]
Critical reception[edit]
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic | [8] |
Entertainment Weekly | B+[9] |
Christgau's Consumer Guide | [10] |
Rolling Stone | [11] |
Stephen Thomas Erlewine of AllMusic noted that 'there doesn't seem to be a track that doesn't have a guest star, which brings up the primary problem with the album [..] it never develops a consistent voice that holds the album together.' He added that the album is 'directionless' but concluded by saying 'the peak moments of Supernatural are some of Santana's best music of the '90s, which does make it a successful comeback.'[8]Rolling Stone writer David Wild also noted the number of featured artists on the album. He goes on to say 'Not everything is quite so appealing', mentioning the song, 'Do You Like The Way' featuring Lauryn Hill and Cee Lo Green, saying that it 'seems a bit more forced.'[11]
Commercial performance[edit]
The album is one of the best-selling albums in the world, and has sold over 30 million copies worldwide,[12] with 11.8 million copies sold in the United States alone.[13] It is the best-selling album by a Hispanic artist,[14] peaking at number one in many countries.
According to the Guinness World Records in 2005, it was the band's first album to peak at number one on the Billboard 200 since Santana III in 1971, making it the longest gap between two number one albums, 28 years in total.[14]
Arista had planned for an initial shipment of 125,000 copies, but the high level of interest in the album through word of mouth caused this to rise to 210,000. By the first week of June 1999, after the label issued a sample album to promoters, this number rose to 350,000.[5] The album debuted at number 19 on the US Billboard 200 and eventually peaked at number one in October 1999, selling 169,000 copies that week, it would increase its sales even more in the following weeks, selling 183,000 and 199,000 on its first three weeks atop. Its highest sale came in year's final week when it sold 527,000 copies. Its sales would still stay in stratosphere after the Holiday season, selling 583,000 copies after winning nine Grammy Awards in a night, it barely dropped in sales, selling again another monstrous 441,000 copies. Its last of 12 non-consecutive weeks at number one would still see huge sales, 307,000 copies that week, it later was replaced by NSYNCNo Strings Attached after selling 2.4 million copies in a week. It also debuted and peaked at number one on the Billboard Top Latin Albums chart.[15] However, it was removed from the chart the following week after Billboard determined that the album did not meet the linguistic requirement of having at least 50% of its tracks recorded in Spanish.[16] It was ranked on Billboard's top 200 albums of the decade as the ninth best-selling album of the 2000s.[17]
In Australia, the album debuted at number 48 and would peak at number one on March 6, 2000. In the UK, the album peaked at number one for two weeks starting on April 1, 2000.
The track 'El Farol' was criticised by unauthorized use of melody. The song takes the structure of 'Papel Principal', a song made by the Portuguese artist Adelaide Ferreira. Although never confirmed, the rumor of a possible judicial action by the Portuguese singer was never surpassed.[18]
Singles[edit]
Sample from 'Smooth' by Santana featuring Rob Thomas
Sample of 'Maria Maria' performed by Santana featuring The Product G&B
|
|
Problems playing these files? See media help. |
In early June 1999, copies of 'Smooth' had been leaked and were picked up by some radio stations which began to air the song.[5] The principle of stewardship by john c maxwell pdf download.
The first single released from the album was 'Smooth', which featured Rob Thomas on vocals and peaked at No. 1 on the US Billboard Hot 100 for 12 weeks while it went to No. 3 in the UK and No. 4 in Australia. The next single was 'Maria Maria' which featured The Product G&B as the single peaked at No. 1 on the US Billboard Hot 100 for 10 weeks, No. 6 in the UK and No. 49 in Australia. The third single, 'Put Your Lights On', only peaked at No. 18 on the US Bubbling Under Hot 100 Singles chart, No. 97 in the UK, and was a minor hit in Australia at No. 32. The single 'Corazón Espinado', which featured Maná, was a hit in Spanish-speaking countries.
Track listing[edit]
Santana Into The Night
Standard edition[edit]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | '(Da Le) Yaleo' |
|
Santana | 5:51 |
2. | 'Love of My Life' (featuring Dave Matthews and Carter Beauford) |
|
5:48 | |
3. | 'Put Your Lights On' (featuring Everlast) | Everlast | 4:47 | |
4. | 'Africa Bamba' |
|
Santana | 4:40 |
5. | 'Smooth' (featuring Rob Thomas) | Matt Serletic | 4:56 | |
6. | 'Do You Like the Way' (featuring Lauryn Hill and CeeLo Green) | Hill | Hill | 5:52 |
7. | 'Maria Maria' (featuring Sincere (David McRae)[22] and Money Harm (Marvin Moore-Hough) [23] as The Product G&B) |
|
4:21 | |
8. | 'Migra' |
|
5:24 | |
9. | 'Corazón Espinado' (featuring Maná) | Fher Olvera |
|
4:32 |
10. | 'Wishing It Was' (featuring Eagle-Eye Cherry) |
|
4:59 | |
11. | 'El Farol' |
|
KC Porter | 4:49 |
12. | 'Primavera' | Porter | 5:17 | |
13. | 'The Calling' (featuring Eric Clapton) |
|
Santana | 12:27 |
Mastered by Ted Jensen
Notes
- The total length of track 13 is actually 12:27. 'The Calling' ends at 7:48. Hidden track 'Day of Celebration' starts at 8:00 and has a length 4:27. The track listing and timing are the same on the 2010 'Legacy Edition'. However, separate musician and production credits are listed for 'Day of Celebration' in the liner notes, unlike the standard edition.
- (*) Asterisk notes co-producer.
Legacy Edition Disc 2[edit]
A 'Legacy Edition' of Supernatural was released on February 16, 2010, with a new Santana-supervised remastering.[28]
- 'Bacalao con Pan' â 5:08
- 'Angel Love (Come for Me)' â 4:42
- 'Rain Down on Me' â 4:01
- Featuring Dave Matthews and Carter Beauford
- 'Corazon Espinado (Spanish Dance Remix)' â 8:49
- Featuring Maná
- 'One Fine Morning' (Lighthouse Cover) â 5:19
- 'Exodus/Get Up Stand Up (Bob Marley cover)' â 6:09
- 'Ya Yo Me Cure' â 4:17
- 'Maria Maria (Pumpin' Dolls Club Mix)' â 8:39
- Featuring The Product G&B
- 'Smooth (Instrumental)' â 4:56
- 'The Calling Jam' â 4:30
- Featuring Eric Clapton
- 'Olympic Festival' â 6:10
Personnel[edit]
Charts and certifications[edit]
Charts[edit]
|
Year-end charts[edit]
Certifications[edit]
|
See also[edit]
Release history[edit]
Region | Date | Label | Edition |
---|---|---|---|
United States | June 15, 1999[72] | Arista | Standard |
Canada[73] | Sony Canada | ||
France | June 21, 1999 | Arista | |
United Kingdom | 12 July, 1999[74] | Arista | |
United States | February 16, 2010[75] | Deluxe |
References[edit]
- ^'Past Winners Search | GRAMMY.com'. grammy.com. Retrieved 2 June 2013.
- ^ abhttps://www.newspapers.com/image/479372828/?terms=santana%2Bsupernatural
- ^Heath, Chris (16 March 2000). 'The Epic Life of Carlos Santana'. Rolling Stone. Retrieved 5 February 2019.
- ^ abcdeSullivan, James (10 November 1999). ''Supernatural' Power / Santana's collaborative album started small but has taken off'. SFGate. Retrieved 5 February 2019.
- ^ abcdeNewman, Melinda (5 June 1999). 'Santana Goes 'Supernatural''. Billboard. Vol. 111 no. 23. pp. 11, 128. ISSN0006-2510. Retrieved 6 February 2019.
- ^ abhttps://www.newspapers.com/image/212975895/?terms=santana%2Bsupernatural
- ^https://www.newspapers.com/image/479373611/?terms=santana%2Bsupernatural
- ^ abStephen Thomas Erlewine, 'Santana â Supernatural Review'.AllMusic. Rovi Corporation. Retrieved December 30, 2010.
- ^(Posted: June 18, 1999) Tom Sinclair, Supernatural Review. Entertainment Weekly. Retrieved December 30, 2010.
- ^Christgau, Robert (2000). 'CG Book '90s: S'. Christgau's Consumer Guide: Albums of the '90s. Macmillan. ISBN0312245602. Retrieved March 30, 2019 â via robertchristgau.com.
- ^ ab(Posted: July 9, 2003) David Wild, Supernatural by Santana | Rolling Stone Music|Music Review. Rolling Stone. Retrieved December 30, 2010.
- ^'Viva Santana!'. Deccan Herald. 2012-11-18.
- ^ abLeila Cobo (June 27, 2014). ''Smooth' at 15: Carlos Santana and Rob Thomas Reflect on Their Billboard Hot 100 Smash'. Billboard.
- ^ ab'Santana received his World Records'. Guinness World Records. 2000. Archived from the original on 2010-02-10. Retrieved 2010-10-14.
- ^'Latin Albums â Supernatural â Santana â Week of July 3, 1997'. Billboard. Nielsen Business Media, Inc. 1999-07-03. Retrieved 2009-07-22.
- ^Lannert, John (1999-07-10). 'Latin Notas'. Billboard. Nielsen Business Media, Inc. 111 (28): 48. Retrieved 2013-12-27.
- ^'Billboard â Music Charts, News, Photos & Video'.
- ^'BLITZ â Carlos Santana imitou Adelaide Ferreira?'.
- ^'Discography for Ra (aka Shakara Mutela), musician'. discogs.com. Retrieved 2014-07-23.
- ^'Discography for Christian Polloni, musician'. discogs.com. Retrieved 2014-07-23.
- ^'Discography for Karl Perazzo, musician'. discogs.com. Retrieved 2014-07-23.
- ^'Discography for David McRae, musician'. discogs.com. Retrieved 2014-07-23.
- ^'Discography for Money Harm (Marvin-Moore-Hough), musician'. discogs.com. Retrieved 2014-07-23.
- ^'Discography for Raul Rekow, musician'. discogs.com. Retrieved 2014-07-23.
- ^'Discography for Tony Lindsay, musician'. discogs.com. Retrieved 2014-07-23.
- ^'Discography for CheÃn GarcÃa Alonso, musician'. discogs.com. Retrieved 2014-07-23.
- ^'Discography for Linda Graham, musician'. discogs.com. Retrieved 2014-07-23.
- ^'Santana Official Store'. Santana.shop.musictoday.com. Retrieved 2012-03-11.
- ^El PaÃs 08-01-1999, Carlos Santana, Guitarrista Mexicano 'Mi música es sanadora, unificadora, armonizadora; transforma a la gente'
- ^australian-charts â Santana â Supernatural. Hung Medien. Retrieved December 30, 2010.
- ^Santana â Supernatural â austriancharts.at. Hung Medien. Retrieved December 30, 2010.
- ^ultratop.be â Santana â Supernatural. Hung Medien / hitparade.ch. Retrieved December 30, 2010.
- ^ultratop.be â Santana â Supernatural. Hung Medien / hitparade.ch. Retrieved December 30, 2010.
- ^'Santana Album & Songs Chart History'. Canadian Albums for Santana. Prometheus Global Media. Retrieved December 30, 2010.
- ^'Listen - Danmarks Officielle Hitliste - Udarbejdet af AIM Nielsen for IFPI Danmark - Uge 9'. Ekstra Bladet (in Danish). Copenhagen. 2000-03-05.
- ^finnishcharts.com â Santana â Supernatural. Hung Medien. Retrieved December 30, 2010.
- ^lescharts.com â Santana â Supernatural. Hung Medien. Retrieved December 30, 2010.
- ^italiancharts.com â Santana â Supernatural. Hung Medien. Retrieved December 30, 2010.
- ^charts.org.nz â Santana â Supernatural. Hung Medien. Retrieved December 30, 2010.
- ^norwegiancharts.com â Santana â Supernatural. Hung Medien. Retrieved December 30, 2010.
- ^'Hits of the World'. Billboard. Nielsen Business Media, Inc. 18 March 2000. p. 53. Retrieved 26 July 2017.
- ^swedishcharts.com â Santana â Supernatural. Hung Medien. Retrieved December 30, 2010.
- ^Santana â Supernatural â hitparade.ch. Hung Medien. Retrieved December 30, 2010.
- ^'Santana Album Chart History'.Official Charts Company. Retrieved December 30, 2010.
- ^'Santana Album & Songs Chart History'.Billboard 200 for Santana. Prometheus Global Media. Retrieved December 30, 2010.
- ^'Santana Album & Songs Chart History'. Latin Albums for Santana. Prometheus Global Media. Retrieved December 30, 2010.
- ^'Top 100 Album-Jahrescharts' (in German). GfK Entertainment. Retrieved September 8, 2016.
- ^'Top 100 Album-Jahrescharts' (in German). GfK Entertainment. Retrieved September 8, 2016.
- ^'Discos de Oro y Platino â 2006' (in Spanish). Cámara Argentina de Productores de Fonogramas y Videogramas. Archived from the original on September 27, 2007. Retrieved June 12, 2012.
- ^'ARIA Charts â Accreditations â 2000 Albums'. Australian Recording Industry Association.
- ^'Austrian album certifications â Santana â Supernatural' (in German). IFPI Austria.Enter Santana in the field Interpret. Enter Supernatural in the field Titel. Select album in the field Format. Click Suchen.
- ^'Ultratop â Goud en Platina â albums 2000'. Ultratop. Hung Medien.
- ^'Brazilian album certifications â Santana â Supernatural' (in Portuguese). Associação Brasileira dos Produtores de Discos.
- ^'Canadian album certifications â Santana â Supernatural'. Music Canada.
- ^'Listen - Danmarks Officielle Hitliste - Udarbejdet af AIM Nielsen for IFPI Danmark - Uge 21'. Ekstra Bladet (in Danish). Copenhagen. 2000-05-28.
- ^ ab'Santana' (in Finnish). Musiikkituottajat â IFPI Finland.
- ^'InfoDisc'. Archived from the original on 2013-06-30. Retrieved 2013-06-25.
- ^'French album certifications â Santana â Supernatural' (in French). Syndicat National de l'Ãdition Phonographique.
- ^'Gold-/Platin-Datenbank (Santana; 'Supernatural')' (in German). Bundesverband Musikindustrie.
- ^'Italian album certifications â Santana â Supernatural' (in Italian). Federazione Industria Musicale Italiana. Retrieved 10 December 2018. Select '2018' in the 'Anno' drop-down menu. Select 'Supernatural' in the 'Filtra' field. Select 'Album e Compilation' under 'Sezione'.
- ^'Certificaciones' (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas.Type Santana in the box under the ARTISTA column heading and Supernatural in the box under TÃTULO
- ^'Dutch album certifications â Santana â Supernatural' (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers.Enter Supernatural in the 'Artiest of titel' box.
- ^'New Zealand album certifications â Santana â Supernatural'. Recorded Music NZ.
- ^'Polish album certifications â Santana â Supernatural' (in Polish). Polish Society of the Phonographic Industry.
- ^'Discos de platino y oro 2000'. El Mundo (in Spanish). Retrieved 26 July 2011.
- ^'Guld- och Platinacertifikat â Ã r 2000'(PDF) (in Swedish). IFPI Sweden.
- ^'The Official Swiss Charts and Music Community: Awards (Santana; 'Supernatural')'. IFPI Switzerland. Hung Medien.
- ^Jones, Alan (April 22, 2016). 'Official Charts Analysis: Drake's One Dance tops the chart for second consecutive week'. Music Week. Intent Media. Retrieved April 25, 2016.
- ^'British album certifications â Santana â Supernatural'. British Phonographic Industry.Select albums in the Format field.Select Platinum in the Certification field.Type Supernatural in the 'Search BPI Awards' field and then press Enter.
- ^'American album certifications â Santana â Supernatural'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
- ^'IFPI Platinum Europe Awards â 2001'. International Federation of the Phonographic Industry.
- ^Amazon.com: Supernatural: Santana: Music. Amazon.com, Inc. Retrieved December 30, 2010.
- ^Supernatural: Santana: Amazon.ca: Music. Amazon.com, Inc. Retrieved December 30, 2010.
- ^Supernatural: Santana: Amazon.co.uk: Music. Amazon.com, Inc. Retrieved December 30, 2010.
- ^Amazon.com: Supernatural (Legacy Edition): Santana: Music. Amazon.com, Inc. Retrieved December 30, 2010.
Santana Supernatural Cd
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Supernatural_(Santana_album)&oldid=903643668'
A new version of Last.fm is available, to keep everything running smoothly, please reload the site.
Supernatural is the seventeenth studio album by the Latin rock band Santana, it was released on June 15, 1999. It went 15 times platinum in the US and won eight Grammy Awards, including Album of the Year as well as three Latin Grammy Awards including Record of the Year.
The album, conceived by Clive Davis and A&R'd by Pete Ganbarg, was a major global hit, eventually selling more than 30 million copies. It is the most successful album by Santana⦠read more
Tracklist
Track number | Play | Loved | Track name | Buy | Options | Duration | Listeners |
---|---|---|---|---|---|---|---|
1 | (Da Le) Yaleo | 5:51 | 57,209 listeners | ||||
2 | Love of My Life | 5:48 | 58,065 listeners | ||||
3 | Put Your Lights On | 4:47 | 119,077 listeners | ||||
4 | Africa Bamba | 4:40 | 76,509 listeners | ||||
5 | Smooth | 4:56 | 363,497 listeners | ||||
6 | Do You Like the Way | 5:52 | 32,509 listeners | ||||
7 | Maria Maria - Radio Mix | 4:21 | 70,889 listeners | ||||
8 | Migra | 5:24 | 66,428 listeners | ||||
9 | Corazon Espinado | 4:32 | 93,627 listeners | ||||
10 | Wishing It Was | 4:59 | 40,503 listeners | ||||
11 | El Farol | 4:49 | 70,002 listeners | ||||
12 | Primavera | 5:17 | 60,839 listeners | ||||
13 | The Calling | 7:48 | 29,073 listeners |
Santana Smooth Video
Don't want to see ads? Subscribe now